When analyzing the movie on
Gibson’s “Johnny Mnemonic” short story, any viewer who’d read the story can
tell that it lacks the detailed descriptions and the rich vocabulary used by
the author. As matter of fact, the movie has the visual aspect that enables the
viewers to experience the story without relying on their imagination; it
doesn’t need to engage in further character descriptions other than what people
are watching, specially when it comes to characters not directly linked to the
main conflict of the story. For example, how the “Magnetic Dog Sisters” are
presented differ from short story to film. Originally the author plays with the
readers’ imagination as he provides descriptions of these characters in a way
that turns out to be different than the readers’ expectations… First, the
author alludes to two “Sisters,” giving a sense of a family relationship, and
then he mentions they are almost identical “as
cosmetic surgery could make them” (with the exception one is white and the
other one is black)….and then further the reader discovers it’s more like a
transgender-lesbian relationship, as the author reveals they are actually
lovers. In the movie, however, the black one is presented as a man dressed as a
woman and they are clearly not identical at all, which differs from the
description given in the short story. This is an example of how carefully
detailed descriptions, whether implicit or explicitly, are presented in the
story as opposed to the film, which main focus is the conflict surrounding the
main character Johnny Mnemonic in a way that invites viewers not to pay that
much attention to characters that are not of much importance within the story
and whose identities reveal nothing let alone have any kind of effect on what’s
happening to Johnny. However, the main emphasis of the story remains the same as
both story and the film presents the audience with themes on
artificial intelligence and the overall cybernetic world.
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